| Beide Seiten der vorigen RevisionVorhergehende ÜberarbeitungNächste Überarbeitung | Vorhergehende Überarbeitung |
| nft [2024/06/02 23:01] – moellenhoff | nft [2024/06/02 23:08] (aktuell) – moellenhoff |
|---|
| *[[https://jpg.space/canons/conceptual/current]] JPEG Conceptual Canons | *[[https://jpg.space/canons/conceptual/current]] JPEG Conceptual Canons |
| *[[https://etherrock.com/]] | *[[https://etherrock.com/]] |
| | *[[https://www.cryptokitties.co/]] |
| *[[http://dismagazine.com/discussion/73342/monegraph-and-the-status-of-the-art-object/]] | *[[http://dismagazine.com/discussion/73342/monegraph-and-the-status-of-the-art-object/]] |
| *[[https://outland.art/rock-nfts/]] | *[[https://outland.art/rock-nfts/]] |
| *[[https://www.rightclicksave.com/article/the-nft-apocalypse]] | *[[https://www.rightclicksave.com/article/the-nft-apocalypse]] |
| *[[https://rhea.art/]] Rhea Myers | *[[https://rhea.art/]] Rhea Myers |
| | |
| | *[[https://www.rightclicksave.com/article/the-aesthetic-measure-of-an-nft]] |
| | *[[https://www.rightclicksave.com/article/should-art-museums-collect-nfts]] |
| | |
| | *[[https://whiterabbit1111.medium.com/the-origin-digital-antiquities-market-nfts-1ea9b69c03f9]] |
| | *[[https://webzine.curated.me/wade-wallerstein/]] |
| | *[[https://outland.art/nfts-as-certificates-of-authenticity/]] |
| | *[[https://feralfile.com/exhibitions]] |
| | *[[http://tokenhash.jonathanchomko.com/]] |
| | *[[https://nftnetart.officeimpart.com/exhibit/og-flowers/18#]] |
| | *[[https://medium.datadriveninvestor.com/79-nft-crypto-words-you-need-to-know-the-crypto-nft-slang-dictionary-adcc39ad846b]] |
| | *[[https://opensea.io/DUMP-N-BURN]] |
| | *[[https://www.schirn.de/magazin/schirn_tipps/2021/ein_funken_der_unendlichkeit/]] |
| | *[[https://www.youtube.com/watch?v=PXBxVFsHBJQ]] |
| | *[[https://spikeartmagazine.com/]] |
| | *[[https://www.fxhash.xyz/]] |
| | *[[https://www.masterworks.io/]] |
| | *[[https://muse0.xyz/collection]] |
| | *[[https://opensea.io/assets/0x79986af15539de2db9a5086382daeda917a9cf0c/6614]] |
| | *[[https://twitter.com/artnet/status/1478754580775198727]] |
| | *[[https://dotcomseance.com/]] |
| | *[[http://artobserved.com/2015/03/new-york-brad-troemel-on-view-selections-from-the-troemel-collection-at-zach-feuer-through-march-28th-2015/]] |
| | *[[https://heaven.computer/]] |
| | *[[https://news.artnet.com/news-pro/kenny-schachter-crypto-pad-2061146]] |
| | *[[https://www.dazeddigital.com/art-photography/article/55263/1/degens-the-high-risk-crypto-traders-making-millions-from-nothing]] |
| | *[[https://www.youtube.com/watch?v=mFEnVEtNDII]] |
| | *[[https://www.redlion.news/studios/artcode-1]] |
| | *[[https://www.artnome.com/news/2020/5/25/how-to-become-a-successful-artist]] |
| | *[[https://www.larvalabs.com/autoglyphs]] |
| | *[[https://skyenicolas.com/]] |
| | *[[https://opensea.io/collection/token-hash]] |
| | *[[https://feralfile.com/artworks/kopfschlag-ants-over-the-city-dpn?fromExhibition=ecotone-swo]] |
| | *[[https://www.rightclicksave.com/article/the-art-of-the-profile-picture-portrait]] |
| | *[[https://www.rightclicksave.com/article/painting-and-the-personal-computer-samia-halaby]] |
